January 30, 2026
The 2026 Chaz and Roger Ebert Symposium, presented by the Roger Ebert Center for Film Studies, will address “Onscreen Fantasies/IRL Illusions: Fandom, Parasocial Relationships, and the Media.” Join us for this free two-day event on March 30-31, featuring a film screening, a roundtable discussion, and keynote address.
Monday, March 30
Film Screening: The Wiz
7 p.m., Knight Auditorium, Spurlock Museum
Before Wicked, there was The Wiz.
Join the Ebert Center for a screening of Sidney Lumet’s The Wiz (1978). See cultural icons such as Michael Jackson, Diana Ross, and Nipsey Russell follow the yellow brick road in this musical retelling of The Wizard of Oz.
While considered a failure upon its release, the film has since developed an enduring and charming legacy, as well as a dedicated cult fan base.
The film will be introduced by Dr. Alfred L. Martin, Jr., Chair of the Department of Cinematic Arts at University of Miami, and Ebert Symposium keynote speaker.
Tuesday, March 31
Roundtable Discussion
2-3:30 p.m., Knight Auditorium, Spurlock Museum
Join a roundtable discussion with doctoral students from the Institute of Communications Research on the Ebert Symposium theme of “Onscreen Fantasies/IRL Illusions: Fandom, Parasocial Relationships, and the Media.” Not only will it explore themes from The Wiz and the Ebert Symposium keynote speech, but it will also expand to all types of media. Moderated by Cait Coker, Curator of Rare Books and Manuscripts at the University of Illinois, this discussion will be held among ICR students Youngin Kang, Gustavo Nery, Stephanie Perez, Kendra Williams, and Nansong Zhou. Audience participation is encouraged.
Keynote Address
4 p.m., Knight Auditorium, Spurlock Museum
Or register to join via Zoom
“What The Wiz Was (and Is): Media Industries, Distribution, Reception and The Wiz”
The Ebert Symposium keynote will be delivered by Dr. Alfred L. Martin, Jr., Chair of the Department of Cinematic Arts at University of Miami.
As a part of the Ebert Symposium’s theme, “Onscreen Fantasies/IRL Illusions: Fandom, Parasocial Relationships, and the Media,” Martin draws attention to The Wiz as the first Black-cast blockbuster and re-assesses its significance to issues of Black media production, initial reception, distribution, and its enduring fandom. Concomitantly, this presentation is about the ways, particularly within a socio-political environment hostile to Blackness, The Wiz provides a prism through which to place the feminist “I” and joy into research. Engaging media industry studies, fandom/reception studies, and media studies, this presentation argues that the history and ongoing legacy of The Wiz is far more complicated than reducing it to a financial failure.
Martin is associate professor of media studies and chair of the Department of Cinematic Arts at the University of Miami. He is author of Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (New York University Press, 2025) and The Generic Closet: Black Gayness and the Black-Cast Sitcom (Indiana University Press, 2021), editor of Rolling: Blackness and Mediated Comedy (Indiana University Press, 2024), and co-editor of The Golden Girls: Tales from the Lanai (Rutgers University Press, 2025). A former marketing communications executive and ballet dancer, in his spare time, Martin is a ballet teacher, coach, and choreographer.
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