May 15, 2026
Los Angeles-based film and television producer Alex Hedlund (BS ’05, media studies; MS ’06, journalism) knew he wanted to make movies at a young age. When he was just 10 years old, he wrote a letter to Stephen King’s publisher seeking the famed author’s autograph. Hedlund still has his signed copy of Needful Things to this day.
Hedlund has three major projects set to premiere this year, including a 10-episode remake of Cape Fear for Apple TV starring Javier Bardem and Amy Adams; a feature adaptation of Verity starring Anne Hathaway, Dakota Johnson, and Josh Hartnett; and the independent horror film River.
Learn more about this College of Media alum who has empowered writers and directors for the last two decades, and find out which film or TV show he will champion next.
1. What first drew you to filmmaking and production, and how did that evolve into your current role today?
Ever since I was a kid, I told people, “I want to make movies,” before I even knew what that meant or how that would even be possible. All I knew is that I craved escapism through movies, TV, novels, and video games, and for my 10th birthday, I only wanted one thing—Stephen King’s autograph. I wrote a letter to his publisher with this request and received a hard copy of Needful Things signed by the man himself! (I still have and cherish it.) That moment subconsciously unlocked something for me that became a big part of my career, which is identifying uncompromising stories and reaching out to connect with world-class storytellers. As a career producer, I’m constantly looking to empower writers and directors who have a story to tell.
2. What do you consider your biggest career accomplishment? Is there one project that has felt especially meaningful to you?
I’m celebrating 20 years in Los Angeles this year, so I consider my survival in this industry a tremendous accomplishment as a baseline. Project-wise, 2026 is a very meaningful year for me with the premiere of three projects I produced (all of which are seven long years in the making!). The first is a 10-episode series reimagining of Cape Fear for Apple TV in June that stars Javier Bardem and Amy Adams. As a fan of the novel and having seen the Martin Scorsese film as a child (long before I should have!), being a producer on this one was a full-circle moment for me. I also have a feature adaptation of Colleen Hoover’s best-selling erotic thriller Verity that drops in theaters October 2. The film stars Anne Hathaway, Dakota Johnson, and Josh Hartnett, all of whom are fantastic in the film and incredible to work with personally. That’s a big-budget studio film, whereas my next film River is a low-budget indie debut from a writer-director that I discovered and championed. The horror film will premiere this fall, and I couldn’t be prouder.
3. In addition to two degrees at Illinois, you then earned your MFA in the producers program at UCLA. What advice would you give to students who want to break into directing or production but don’t know where to start?
I used to say you absolutely need to move to Los Angeles, though I don’t believe that’s essential anymore. YouTube, MasterClass, Zoom, and social media has democratized everything so you can make a lot of connections and gain knowledge that way. If you want to be a director, you can now shoot a film on your iPhone and upload it online for the world to see. Just create something and get it out there! Or try to get an entry-level job on set or intern at a production company. No matter what, check your ego at the door and be unabashed about your desire for mentorship.
4. The media landscape is constantly changing—how do you keep your work both current and true to your vision?
I always internalize that the only certainty in entertainment is uncertainty, and not to stress about external factors that I cannot control. What I can control though is my taste and what I want to see. If I’m not first in line for a film on its opening night, I know that I’m not the right producer to advocate for it. I think it’s a huge mistake to try and “chase the market” or pursue something for cynical, surface-level reasons—for me, it has to be love at first sight. I need to lose sleep thinking about a project. I’m constantly gut-checking myself to see if this is something my 10-year-old self would have wanted to see—and most likely have to beg my parents to let me see it!
5. What’s one dream project you’d love to direct or produce in the future?
Too many to name, though one of my “white whales” I actually just set up as a feature at Netflix! It’s an adaptation of an award-winning graphic novel called Torso by the brilliant artists Brian Michael Bendis and Marc Andreyko. It’s a true story about Elliott Ness hunting America’s first serial killer in the 1930s. You might say it’s The Untouchables meets Zodiac. [It’s an] incredible, stranger-than-fiction story that was first published decades ago and I’ve been tracking it ever since. I always thought it would make an amazing film, so I’m pinching myself that I was finally able to get my arms around it and hopefully champion it into finally getting made!
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